It’s hard to believe, but today marks the ten year anniversary of How to Destroy Angels’ debut full-length album Welcome Oblivion. A transformative album for me as a visual artist, it took my work in a new direction that I continue to travel in today. It also marked the first major mainstream publication of analog VHS/CRT glitch art as print work, and spurred a new generation of glitch artists building an entire movement around VHS/CRT glitching aesthetics and techniques over the past decade, which has been incredible to watch.
